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Gentleman's Magazine 1839 part 2 p.511
book of Martin Luther's is written William Howarde. Volo
sed non valeo (the family motto), non possum quod
desidero. On a copy of Calvin's Institutes, 1569, is
Qui sibi videtur stare videat ne cadat. On a copy of
Galatea is, for thear glory is to change, and thear
liberty is to rainge. On another volume is the softer
language of conjugal affection, Merces amoris amor. Mary
Howarde. W. Howarde. 1582.
The three officers, the diary of whose tour in 1634 is
preserved among the Lansdowne manuscripts, were hospitably
entertained by Lord William Howard and his lady at Corby
castle. The writer says -
"These noble twain (as it pleas'd themselves to tell us
themselves) could nott make above 25 yeares both togeather
when first they were marry'd, that now can make above 140
yeares, and are very hearty well and merry, and long may
they continue soe, for soe have they all just cause to pray,
that live neere them; for their hospitality and fre
entertainment agrees with their generous and noble
extraction, and their yeares retains the memory of their
honourable predecessor's bountifull housekeeping."
This little book includes a very interesting biography of
Lord William Howard, for which the materials have been
furnished in the elaborate and very magnificent volume, of
Memorials of the Howard family, recently printed by Mr.
Howard of Corby.
The ancient MS. relative to the abbey of Glastonbury,
described in the extract we have given respecting the
library, is the same which was inquired after by the late
Mr. Douce, in our Magazine, shortly before the publication
of Warrer's History of Glastonbury. We are happy to find
that it is still preserved.
In p.37 we find mentioned four large carvings of wood, in
the great hall, "representing a griffin, a unicorn, a
dolphin, and a bull; these" it is added, "formed the
crests of the Dacre, Multon, Greystock, and Grimthorp
families, and have evidently been made to carry
banners with the same arms." Gigantic carvings of this
kind are seen over the gateways of several of the castles in
the North, as at Hilton, and elsewhere. We notice the
present description, to remark upon the inaccuracy of the
term crests; they would more properly be called
supporters. At the time of their execution they used to be
called "beasts," and only one was used, which bore
the arms on a banner, as mentioned in the present case. The
ancient crests of these families, it will be found on
inquiry, were something different: for all ancient crests
are such as a knight might really carry on his head, not an
entire animal, neither an elephant nor a castle, - though
very frequently an animal's head.
In p.39 we find mentioned the name of an old painter, who
adorned the panels of the ceiling of the chapel with the
heads of the genealogy of Christ, springing from the root of
Jesse, in fifty-four compartments. It is given "Magister
Lucas Egliement, Pictor MCXII." But we suspect there may be
some trifling error. Can the artist be the same with
Cornelius Engelbert, who, as noticed by Walpole in his
Anecdotes of Paintings, came to England and was made painter
to Henry the Eighth? The date appears full early for him;
but in that also there may be some mistake.
We have not time to accompany Mr. Jefferson to Lanercost
abbey, though he appears to have described the ruins of its
architecture in a very satisfactory manner; but we will now
conclude with the following very elegant verses, by the
present heir apparent of Naworth, who appears to inherit the
poetical talents of his late grandfather, Frederick, Earl of
Carlisle:
LINES TO A JASMINE TREE IN THE "COURT OF NAWORTH CASTLE,"
Written by Viscount Morpeth.
My slight and slender jasmine tree
That bloomest on my border tower,
Thou art more dearly loved by me
Than all the wreaths of fairy bower.
I ask not, while I near thee dwell,
Arabia's spice or Syria's rose;
Thy light festoons more freshly smell,
Thy virgin white more freshly glows.
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