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page 102
many of them in some points of view the noblest that can be
conceived, are apt to run into spikes and needles, and
present a jagged outline which has a mean effect,
transferred to canvass. This must have been felt by the
ancient masters; for, if I am not mistaken, they have not
left a single landscape, the materials of which are taken
from the peculiar features of the Alps; yet Titian
passed his life almost in their neighbourhood; the Poussins
and Claude must have been well acquainted with their
aspects; and several admirable painters, such as Tibaldi and
Luino, were born among the Italian Alps. A few experiments
have lately been made by Englishmen, but they only prove
that courage, skill, and judgment, may surmount any
obstacles; and it may be safely affirmed, that they who have
done best in this bold adventure, will be the least likely
to repeat the attempt. But, though our scenes are better
suited to painting than those of the Alps, I should be sorry
to contemplate either country in reference to that art,
further than as its fitness or unfitness for the pencil
renders it more or less pleasing to the eye of the
spectator, who has learned to observe and feel, chiefly from
Nature herself.
Deeming the points in which Alpine imagery is superior to
British too obvious to be insisted upon, I will observe that
the deciduous woods, though in many places unapproachable by
the axe, and triumphing in the pomp and prodigality of
Nature, have, in gene-
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