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of nature, with an invisible hand of art. Planting, and a
removal of wood, may thus, and thus only, be carried on with
good effect; and the like may be said of building, if
Antiquity, who may be styled the co-partner and sister of
Nature, be not denied the respect to which she is entitled.
I have already spoken of the beautiful forms of the ancient
mansions of this country, and of the happy manner in which
they harmonise with the forms of nature. Why cannot such be
taken as a model, and modern internal convenience be
confined within their external grace and dignity. Expense to
be avoided, or difficulties to be overcome, may prevent a
close adherence to this model; still, however, it might be
followed to a certain degree in the style of architecture
and in the choice of situation, if the thirst for prospect
were mitigated by those considerations of comfort, shelter,
and convenience, which used to be chiefly sought after. But
should an aversion to old fashions unfortunately exist,
accompanied with a desire to transplant into the cold and
stormy North, the elegancies of a villa formed upon a model
taken from countries with a milder climate, I will adduce a
passage from an English poet, the divine Spenser, which will
show in what manner such a plan may be realised without
injury to the native beauty of these scenes.
"Into that forest farre they thence him led,
Where was their dwelling in a pleasant glade
With MOUNTAINS round about environed,
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