Wordsworth's Guide 1810, edn 1835

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	page 12 productions of nature, to which winter is rather favourable than unkindly, scattered over the walls, banks of earth, rocks, and stones, and upon the trunks of trees, with the intermixture of several species of small fern, now green and fresh; and, to the observing passenger, their forms and colours are a source of inexhaustible admiration. Add to this the hoar-frost and snow, with all the varieties they create, and which volumes would not be sufficient to describe. I will content myself with one instance of the colouring produced by snow, which may not be uninteresting to painters. It is extracted from the memorandum-book of a friend; and for its accuracy I can speak, having been an eye-witness of the appearance. "I observed," says he, "the beautiful effect of the drifted snow upon the mountains, and the perfect tone of colour. From the top of the mountains downwards a rich olive was produced by the powdery snow and the grass, which olive was warmed with a little brown, and in this way harmoniously combined, by insensible gradations, with the white. The drifting took away the monotony snow; and the whole vale of Grasmere, seen from the terrace walk in Easedale, was as varied, perhaps more so, than even in the pomp of autumn. In the distance was Loughrigg-Fell, the basin-wall of the lake: this, from the summit downward, was a rich orange-olive; then the lake of a bright olive-green, nearly the same tint as the snow-powdered mountain
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