button to main menu  Gents Mag 1850 part 1 p.671

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Gentleman's Magazine 1850 part 1 p.671
Revisited, and other poems composed during a tour in Scotland and on the English border in the autumn of 1831; Evening Voluntaries; poems composed or suggested during a home tour in 1833; poems of sentiment and reflection; sonnets dedicated to liberty and order; sonnets upon the punishment of death; miscellaneous poems; inscriptions; selections from Chaucer modernised; poems referring to the period of old age; epitaphs and elegaic pieces; and The Excursion. Altogether the volume contains some seven hundred distinct poems.
If Wordsworth was unfortunate - as he certainly was - in not finding and recognition of his merits till his hair was grey, he was luckier than other poets similarly situated have been in living to a good old age, and in the full enjoyment of the amplest fame which his youthful dreams had ever pictured. His style is simple, unaffected, and vigorous - his blank verse manly and idiomatic - his sentiments both noble and pathetic, - and his images poetic and appropriate. His sonnets are among the finest in the language: - Milton's scarcely finer. "I think," says Coleridge, "that Wordsworth possessed more of the genius of a great philosophic poet than any man I ever knew, or as I believe has existed in England since Milton; but it seems to me that he ought never to have abandoned the contemplative position which is peculiarly - perhaps I might say exclusively - fitted for him. His proper title is Spectator ab extra."
"The illustrious poet breathed his last by the side of that beautiful lake in Westmerland which his residence and his verse has rendered famous. We are not called upon in his case to mourn over the untimely fate of genius snatched away in the first feverish struggles of development, or even in the noon-day splendour of its mid-career. Full of years, as of honours, the old man had time to accomplish all that he was capable of accomplishing ere he was called away. Removed by taste and temperament from the busy scenes of the world, his long life was spent in the conception and elaboration of his poetry in the midst of sylvan solitudes to which he was so fondly attached. His length of days permitted him to act as the guardian of his own fame - he could bring his maturer judgment to bear upon the first bursts of his youthful inspiration, as well as upon the more measured flow of his maturest compositions. Whatever now stands in the full collection of his works has received the final imprimatur from the poet's hand, sitting in judgment upon his own works under the influence of a generation later than his own. It is sufficiently characteristic of the man, that little has been altered, and still less condemned. Open at all times to the influences of external nature, he was singularly indifferent to the judgment of men, or rather so enamoured of his own judgment that he could brook no teacher. Nature was his book; he would admit no interpretation but his own. It was this which constituted the secret of his originality and his strength, at the same time that the abuse of the principle laid him open at times to strictures, the justice of which few persons but the unreasoning fanatics of his school would now be prepared to deny.
"It is well when the fashion of virtue is set by men whose rare abilities are objects of envy and emulation even to the most dissolute and unprincipled. If this be true of the statesman, of the warrior, of the man of science, it is so in a tenfold degree of the poet and the man of letters. Their works are in the hands of the young and inexperienced. Their habits of life become insensibly mixed up with their compositions in the minds of their admirers. They spread the moral infection wider than other men, because those brought within their influence are singularly susceptible of contamination. The feelings, the passions of imagination, which are busy with the compositions of the poet, are quickly interested in the fashion of his life. From 'I would fain write so' to 'I would fain live so' there is but a little step. Under this head the English nation owes a deep debt of gratitude to William Wordsworth. Neither by the influence of his song, nor by the example of his life, has he corrupted or enervated our youth; by one, as by the other, he has purified and elevated, not soiled and abased, humanity." - Times.
Wordsworth's best likeness is a bust by Chantrey, from which an engraving is prefixed to his collected Poems of 1845. His other portraits are not so characteristic.
It is announced that Wordsworth has left a poem, consisting of fourteen cantos, descriptive of his life, reflections, and opinions, with directions that it should be published after his decease, together with such biographical notices as may be requisite to illustrate his writings, under the editorial care of his nephew, the Rev. Christopher Wordsworth, D.D. Canon of Westminster, whom he has appointed his literary executor, so far as his biographical memoir is concerned, with the expression of a desire that his family, executors, and friends would furnish his biographer with such materials as may be useful for his assistance in the preparation of the work.
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