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Gentleman's Magazine 1850 part 1 p.671
Revisited, and other poems composed during a tour in
Scotland and on the English border in the autumn of 1831;
Evening Voluntaries; poems composed or suggested during a
home tour in 1833; poems of sentiment and reflection;
sonnets dedicated to liberty and order; sonnets upon the
punishment of death; miscellaneous poems; inscriptions;
selections from Chaucer modernised; poems referring to the
period of old age; epitaphs and elegaic pieces; and The
Excursion. Altogether the volume contains some seven hundred
distinct poems.
If Wordsworth was unfortunate - as he certainly was - in not
finding and recognition of his merits till his hair was
grey, he was luckier than other poets similarly situated
have been in living to a good old age, and in the full
enjoyment of the amplest fame which his youthful dreams had
ever pictured. His style is simple, unaffected, and vigorous
- his blank verse manly and idiomatic - his sentiments both
noble and pathetic, - and his images poetic and appropriate.
His sonnets are among the finest in the language: - Milton's
scarcely finer. "I think," says Coleridge, "that Wordsworth
possessed more of the genius of a great philosophic poet
than any man I ever knew, or as I believe has existed in
England since Milton; but it seems to me that he ought never
to have abandoned the contemplative position which is
peculiarly - perhaps I might say exclusively - fitted for
him. His proper title is Spectator ab extra."
"The illustrious poet breathed his last by the side of that
beautiful lake in Westmerland which his residence and his
verse has rendered famous. We are not called upon in his
case to mourn over the untimely fate of genius snatched away
in the first feverish struggles of development, or even in
the noon-day splendour of its mid-career. Full of years, as
of honours, the old man had time to accomplish all that he
was capable of accomplishing ere he was called away. Removed
by taste and temperament from the busy scenes of the world,
his long life was spent in the conception and elaboration of
his poetry in the midst of sylvan solitudes to which he was
so fondly attached. His length of days permitted him to act
as the guardian of his own fame - he could bring his maturer
judgment to bear upon the first bursts of his youthful
inspiration, as well as upon the more measured flow of his
maturest compositions. Whatever now stands in the full
collection of his works has received the final
imprimatur from the poet's hand, sitting in judgment
upon his own works under the influence of a generation later
than his own. It is sufficiently characteristic of the man,
that little has been altered, and still less condemned. Open
at all times to the influences of external nature, he was
singularly indifferent to the judgment of men, or rather so
enamoured of his own judgment that he could brook no
teacher. Nature was his book; he would admit no
interpretation but his own. It was this which constituted
the secret of his originality and his strength, at the same
time that the abuse of the principle laid him open at times
to strictures, the justice of which few persons but the
unreasoning fanatics of his school would now be prepared to
deny.
"It is well when the fashion of virtue is set by men whose
rare abilities are objects of envy and emulation even to the
most dissolute and unprincipled. If this be true of the
statesman, of the warrior, of the man of science, it is so
in a tenfold degree of the poet and the man of letters.
Their works are in the hands of the young and inexperienced.
Their habits of life become insensibly mixed up with their
compositions in the minds of their admirers. They spread the
moral infection wider than other men, because those brought
within their influence are singularly susceptible of
contamination. The feelings, the passions of imagination,
which are busy with the compositions of the poet, are
quickly interested in the fashion of his life. From 'I would
fain write so' to 'I would fain live so' there is but a
little step. Under this head the English nation owes a deep
debt of gratitude to William Wordsworth. Neither by the
influence of his song, nor by the example of his life, has
he corrupted or enervated our youth; by one, as by the
other, he has purified and elevated, not soiled and abased,
humanity." - Times.
Wordsworth's best likeness is a bust by Chantrey, from which
an engraving is prefixed to his collected Poems of 1845. His
other portraits are not so characteristic.
It is announced that Wordsworth has left a poem, consisting
of fourteen cantos, descriptive of his life, reflections,
and opinions, with directions that it should be published
after his decease, together with such biographical notices
as may be requisite to illustrate his writings, under the
editorial care of his nephew, the Rev. Christopher
Wordsworth, D.D. Canon of Westminster, whom he has appointed
his literary executor, so far as his biographical memoir is
concerned, with the expression of a desire that his family,
executors, and friends would furnish his biographer with
such materials as may be useful for his assistance in the
preparation of the work.
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