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Gentleman's Magazine 1809 p.1145
not annihilate, that envious malevolence which genius and
prosperity are so apt to excite. Dr. Johnson very truly said
of Reynolds, that he was the most invulnerable of men; but
of Romney it might be said, with equal truth, that a man
could hardly exist whom it was more easy to wound.
"His imagination was so tremblingly alive, that even a
slight appearance of coldness in a friend, or of hostility
in a critic, was sometimes sufficient to suspend or obstruct
the exertion of his finer faculties.
"Had it been possible for Romney to have united a dauntless
and invariable serenity of mind to such feelings and powers
as he possessed, when his nerves were happily free from all
vexatious irritation, I am persuaded he would have risen to
a degree of excellence in art superior to what has hitherto
been displayed: for Painting, though we justly celebrate
some very glorious characters among the many who have
professed and ennobled it, have never been so honoured and
so cultivated as to reach those points of perfection which
it is capable of attaining, but which, we have reason to
fear, it will never attain, because they can hardly be
reached without a favourable coincidence of many most
improbable circumstances in the fortune of nations, and in
the destiny of individuals.
"Both Reynolds and Romney had the misfortune to begin their
career under the heavy disadvantage of very imperfect
professional education. Several works of both may be thought
to verify the latter part of a penetrating remark, by Mr.
Shee, in contrasting the Painters of France and of England.
Of the first he says, 'They are timourous combatants, who
exhaust their powers in preparation, and chill the ardour of
enterprize by their coldness of precaution. We, on the other
hand, are often rash adventurers, who plunge into dangers
against which we have not provided, and rush into the field
before we are sufficiently armed for the fight.'
"Yet, considering the various impediments that both Reynolds
and Romney had to surmount, the degree of excellence that
each attained in their happiest productions is highly
honourable to the genius of our country, and ought to endear
the memories of both to every lover of art. In estimating
the merits of Reynolds we ought never to forget the
deplorably abject condition of the Arts in our country when
he began his career. In the early part of the last century
it was acknowledged that nothing could be found which seemed
to deserve the title of English Art. There is a letter
concerning Design, written at Naples in the year 1712, by
the philosophical Lord Shaftesbury, who was extremely fond
of pictures, in which he says, 'As to Painting, we have as
yet nothing of our own native growth, in this kind, worthy
of being mentioned.' Yet at that time the penetration and
the patriotic spirit of this contemplative Nobleman led him
to predict that his Country would gradually form for herself
a taste in all the Fine Arts superior to that of the great
rival Nation, in which a despotic and ostentatious Monarch
had recently affected every kind of pre-eminence'
"It was the opinion of this noble Author, and it seems to be
an opinion in which his active fancy did not overpower his
judgment, that to the Arts the voice of the people is the
breath of life. 'There can be no Publick (he says) where the
people are not included; and without a public voice,
knowingly guided and directed, there is nothing which can
raise a true ambition in the artist; nothing which can exalt
the genius of the workman, or make him emulous of
after-fame, of the approbation of his country, and of
posterity.' He therefore thought it an advantage to England
that she had settled her government on the noble principles
of freedom before she began to cultivate her native talents
for the pencil. Such a public voice, as this celebrated
Writer justly considered of so much importance, has been
gradually formed in our country, in the course of the last
century; and of all individuals Reynolds may be regarded as
having contributed the most, by the united influence of his
pictures and his writings, to its formation and to its
guidance.'
"The decease of Reynolds, as I have intimated in noticing
that event, rather quickened than relaxed the ambition of
Romney. He felt all the merits of his great departed
predecessor, and was anxious so to employ the precarious
residue of his own impaired health that he also might hope
for a considerable portion of posthumous regard."
Much of the remaining part of this work consists of those
"Annals of Friendship" which the Author promised, and which
no man can give with more touching interest. Among the
friends whom genius attached to Romney was the late Lord
Thurlow, of whom we have many pleasing anecdotes. This
distinguished Nobleman has seldom been held forth in the
more amiable features of his character. In 1797 we find him
visiting Mr. Hayley's seat in Sussex, and condescending to
sit to Mr. H's son, who practised sculpture, for a bust.
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