button to main menu  Wordsworth's Guide 1810, edn 1835
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page 70
and, itself being a work of art, works and traces of artificial ornament may, without censure, be extended around it, as they will be referred to the common centre, the house; the right of which to impress within certain limits a character of obvious ornament will not be denied, where no commanding forms of nature dispute it, or set it aside. Now, to a want of the perception of this difference, and to the causes before assigned, may chiefly be attributed the disfigurement which the Country of the Lakes has undergone, from persons who may have built, demolished, and planted, with full confidence, that every change and addition was or would become an improvement.
The principle that ought to determine the position, apparent size, and architecture of a house, viz. that it should be so constructed, and (if large) so much of it hidden, as to admit of its being gently incorporated into the scenery of nature - should also determine its colour. Sir Joshua Reynolds used to say, "If you would fix upon the best colour for your house, turn up a stone, or pluck up a handful of grass by the roots, and see what is the colour of the soil where the house is to stand, and let that be your choice." Of course, this precept given in conversation, could not have been meant to be taken literally. For example, in Low Furness, where the soil, from its long impregnation with iron, is universally of a deep red, if this rule
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