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Roman Inscriptions, Lanercost
Priory, and a Portrait, Greystoke Castle
ARCHAEOLOGICAL INSTITUTE.
Feb. 5. ...
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The Rev. John Maughan, Rector of Bewcastle, sent rubbings of
six Roman inscriptions preserved in Lanercost Priory. 1. An
altar dedicated to Jupiter, by the first cohort of Dacians.
This altar, which appears to have been first noticed in
1744, when it was published in the GENTLEMAN'S MAGAZINE, had
been lost sight of till it was re-discovered by Mr. Maughan.
The stone is placed as the key-stone of an arch in the
clerestory of the priory, in the S.E. corner of the choir,
having been either found on the spot, or brought from one of
the neighbouring stations by the founders of Lanercost. 2.
An altar found at Burdsoswald, preserved in the crypt. It
records a dedication to Silvanus, by the huntsmen of Banna.
3. An altar also in the crypt, dedicated to the god
Cocidius, by the soldiers of the twentieth legion, named
Valeria Victrix. Mr. Maughan noticed that the initials of
these titles (V.V.) had been generally misread Valens
Victrix, and that the true reading appears from a passage in
Dion Cassius. 4. An altar dedicated to the same god,
Cocidius, by the soldiers of the second legion. 5. A
centurial stone recently found in the east wall of the
crypt, about two feet from the ground, near the S.E. corner.
It reads, "C. CON. X. P. F." 6. Another centurial stone, on
the outside of the eastern wall of the refectory, reading "C
CASSII PRISCI."
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Mr. C. E. Long exhibited a small portrait painted on a panel
of high finish and considerable artistic merit. It appears
to be the original of an engraving by Hollar, purporting to
be a portrait of Thomas à Becket, by Van Eyck. It was
then in the possession of the Earl of Arundel, and now
belongs to Mr. Henry Howard, of Greystoke Castle. There is
great reason to believe that this painting is a fragment of
a large devotional picture, and that it represents the head
of the donor of the picture, probably a canon. In Hollar's
engraving a knife is represented as sticking in the skull.
It has apparently been added to supply a defect in the
original. Mr. Scharf thinks that the painting might be
attributed to Justus von Ghent.
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