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Gentleman's Magazine 1851 part 2 p.112
"Tracts for the Times" and "Commentaries upon the
Apocalypse."
We have now arrived at the pleasanter part of our task. Most
reluctantly we have differed from many of the opinions which
Dr. Wordsworth has thought fit it express in these Memoirs
of his illustrious relative. In despite of that difference
however we thank him for the volumes now before us. He has
piously, if not always discreetly, acted upon the poet's
wish to be known by his works alone, and has furnished the
public with a very useful commentary upon those works. Of
Wordsworth himself it is scarcely possible to speak with too
much reverence. His integrity as a man, his sincerity as an
artist, his exemption from the passions which so often
deform, and from the follies which so often degrade, men of
genius, his honourable poverty, his studious energy, his
almost scriptural simplicity of life, and demeanour, invest,
perhaps beyond any poet of the present century, with claims
to the homage of his countrymen. We have already remarked
that the proper employment of these Memoirs is to serve as a
running commentary upon Wordsworth's poems. We shall now
accordingly avail ourselves of their contents to illustrate,
so far as our remaining space permits, the character of the
poet by extracts relating to his habits of life, of thought,
and composition.
The following passages from Wordsworth's memoranda exemplify
the structure of his poems.
Speaking of the poem "We are Seven," he says:-
"This was written at Alfoxden, in Somersetshire, in the
spring of 1798, under circumstances somewhat remarkable. The
little girl, who is the heroine, I met with in the area of
Goderich Castle, in the year 1793.
"I composed it while walking in the grove at Alfoxden. I
composed the last stanza first, having begun with the last
line. When it was all but finished I came in and recited it
to Mr. Coleridge and my sister, and said, 'A prefatory
stanza must be added, and I should sit down to our little
tea-meal with greater pleasure if my task was finished.' I
mentioned in substance what I wished to be expressed, and
Coleridge immediately threw off the stanza thus:
A little child, dear brother Jem.
I objected to the rhyme 'dear brother Jem,' as being
ludicrous; but we all enjoyed the joke of hitching in our
friend James Tobin's name, who was familiarly called Jem. He
was the brother of the dramatist. The said Jem got a sight
of the 'Lyrical Ballads,' as it was going to press at
Bristol, during which time I was residing in that city. One
evening he came to me with a grave face, and said,
'Wordsworth, I have seen the volume that Coleridge and you
are about to publish. There is one poem in it which I
earnestly entreat you will cancel, for, if published, it
will make you everlastingly ridiculous.' I answered that I
felt much obliged by the interest he took in my good name as
a writer, and begged to know what was the unfortunate piece
he alluded to. He said 'It is called, We are Seven,'
'Nay,' said I, 'that shall takes its chance, however;' and
he left me in despair."
The Idiot Boy. - Alfoxden, 1798.
"The last stanza, 'The cocks did crow, and the moon did
shine so cold,' was the foundation of the whole. The words
were reported to me by my dear friend Thomas Poole; but I
since heard the same reported of other idiots. Let me add,
that this long poem was composed in the groves of Alfoxden,
almost extempore; not a word, I believe, being corrected,
though one stanza was omitted. I mention this in gratitude
to those happy moments, for, in truth, I never wrote
anything with so much glee."
"Peter Bell was founded upon an anecdote which I had
read in a newspaper of an ass being found hanging his head
over a canal, in a wretched posture. Upon examination a dead
body was found in the water, and proved to be the body of
its master. In the woods of Alfoxden I used to take great
delight in noticing the habits, tricks, and physiognomy of
asses; and I have no doubt that I was put upon writing the
poem of 'Peter Bell' out of liking for the creature that is
so often dreadfully abused. The countenance, gait, and
figure of Peter were taken from a wild rover with whom I
walked from Builth, on the river Wye, downwards, nearly as
far as the town of Hay. He told me strange stories. It has
always been a pleasure to me, through life, to catch at
every opportunity that has occured in my rambles of becoming
acquainted with this class of people. The number of Peter's
wives was taken from the trespasses, in this way, of a
lawless creature who lived in the county of Durham, and used
to be attended by many women, sometimes not less than
half-a-dozen as disorderly as himself;
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