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Gentleman's Magazine 1849 part 1 p.259 
  
of the like number of lights, but of Early Perpendicular  
style. Above the upper set of sculptures are inscriptions in 
Latin in old characters, that extend round the bottom of the 
bowl. They have been deeply cut; but so few of the letters  
are now legible that nothing can be learnt from them, though 
probably they had reference to the subjects rudely  
sculptured in raised figures on each of the compartments or  
faces in the head. On the first of these faces is a  
representation of the tree of life. The second, upon a  
triangular shield, displays the emblems of the crucifixion.  
The third face represnts the wod proceeding out of the mouth 
of the Almighty to all parts of the world. The fourth  
symbolizes the Trinity. The fifth is difficult to decypher,  
but some appearances like vine leaves may be traced. The  
sixth, within a triangular shield, has Aaron's rod, and in  
the corners are smaller shields of the same shape, that on  
the dexter base of the larger shield being charged with the  
armorial bearings of the Multons, lords of Egremont and  
Cockermouth; but the one next the sinister base is not to be 
deciphered with precision. The seventh face represents the  
tree of knowledge of good and evil, with the tempter of  
mankind in the form of a dragon passing through the trunk,  
the meaning of which rudely executed symbols are by the  
intelligent sexton of the church quaintly construed to be,  
"the effects of a good sermon cut through, and rendered to  
no avail, by the Devil." On the eighth face, within an  
escutcheon of triangular form, are the royal arms of England 
as borne by Edward III.; and in the corners are two smaller  
shields, that next the dexter base of the royal achievement  
being charged with the armorial coat of Gilbert Umfreville,  
Earl of Angus; while the other, next the sinister base,  
shows the arms of the Lucys, successors to the Multons in  
the lordships above named. From these various architectural  
and heraldic devices it has been inferred that the font is  
as old as the reign of the chivalric sovereign above named,  
and that it was given to the church by the Earl of Angus and 
his wife Maud, the lineal descendant of Alice de Romeli, and 
sister and sole heiress of Anthony Lucy, feudal lord of the  
barony of Egremont and seignory of Cockermouth. 
  
(To be continued.) 
  
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